home : browse : advanced search : preferences : my favorites : about : help    CONTENTdm Collection
	Search results for Right:    Refine your search Creator 4 () 2 () 2 () 2 () 2 () Show more... results 41-60 of 152 item(s)  page 3 of 8 : ( <<  1  2  3  4  5  6  7  8  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 41. [Bookplate for Sir Lawrence Palk by Ezekiel Abraham Ezekiel] In black ink: Sable, an argent eagle displayed, an argent bordure engrailed ; at the precise middle chief, the inesceutcheon of a baronet (argent, a hand gules) ; surmounted by a wreath of argent and sable, the crest a demi-globe or hemisphere ['semi-terrestrial globe of the northern hemisphere'], an eagle rousant, wings displayed and elevated ; motto on a ribbon below the shield. The bottom right corner of the bookplate was torn away and has been replaced with a light paper. 42. [Bookplate for Sir Charles Cockerell] Armorial bookplate. The shield is divided in half to show the arms of both the husband and wife. The left shield, representing the husband, is divided into six sections two of which portray roosters, between which is a face surrounded by leaves. Above the top rooster is a crescent signifying the second son. The middle section is argent (silver or white) with two chevrons. The top chevron is adorned with three flowers and at the top and bottom of the chevron are three eagle heads ; the bottom chevron is adorned with three roundlets and above and below the chevron are three flowers or leaves. Between the chevrons and at the centre of the six sections is a small shield with a left hand facing palm-out. The top right corner shows two lion heads and a bend adorned with three fleur-de-lis. On the bottom left corner is a lion. The second shield shows two lions passant guardant on a black background with an or border. Above the shield is a wreathed helm facing forward with a raised visor therein signifying barony or knighthood. Above the helm is a crescent and crowned tiger head. On both sides of the shield are angelic supporters each carrying a flag staff (adorned with the sun and crescent moon) as well as palm/laurel fronds (on which birds are perched). The figures are adorned in robes decorated with fleur-de-lis and their chests are imprinted with crosses. 43. [Bookplate for Ruth Goodell by Alexander Scott Carter] Black ink on yellow paper. The scene is framed by an architectural arch with a column on each side, decorated with stylized vines and leaves. At the top left- and right-hand corners, initials are separated by a banner in the centre. The background features a mountain with a silhouette of a tree (possibly a laurel) on the left-hand side. The foreground depicts an ancient Greek amphora (vase with handles) with a frieze of figures and decorative patterns. To the left is an open book with a scroll above it identifying the artist and date of the bookplate. To the right of the vase is a globe showing a stylized representation of North and South America. Other closed books surround these objects. 44. [Bookplate for Ruth Delia Lyman] Black ink on cream paper. A demi-bull sites atop a crest-wreath. The bull has its top legs up and a curling tail, as well as two horns. The motto is printed below the crest-wreath on a curling ribbon in capitalized, black, sans serif font. Below this image, two lines of text is printed in large, capitalized, black, sans serif font. 45. [Bookplate for Rufus Hawtin Hathaway by J. E. MacDonald] Printed in black ink on cream-coloured paper. An interior scene depicts a robed and tonsured monk sitting in a study room. The monk is seated with his head resting in his right hand on the far side of a lectern that holds three open, vellum-bound manuscripts. Behind the monk, an open wooden cupboard is topped by a niche shelf with many closed, bound vellum manuscripts and a human skull. To the far left, there is a recessed bench seat at a diamond paned window containing several objects, including a crucifix, an hour glass, and another manuscript. The entire scene is framed by a border that contains the owner’s name and motto, as well as decorative vine-leaf scrollwork. 46. [Bookplate for Rothenheim] A sun shining over mountain tops in the upper left hand corner. In the bottom right hand corner is a series of 10 squares, 8 of which include images. These images include (from top to bottom, left to right) a triangle, an thick cross, an unknown symbol, an iron cross, the Greek letter beta, the Greek letter omega, a sailboat, and skis. At the very top of the squares is the letter R and a small O with two lines underneath. 47. [Bookplate for Robert Hall and William Phillips Barrett by William Phillips Barrett] Printed in black ink on cream colored paper. The interior of a private library or study room is depicted. The right-hand side of the room is lined with a wall of books, which is topped with several carved busts. In the centre of the room, a large reading table holds several books and is surrounded by three chairs – an upholstered armchair on the left and two wooden chairs on the right. The books are heavy, bound manuscripts and one is open to display an illuminated frontispiece. In the background, a large bay window looks to a building with a spire that is surrounded by shrubbery. 48. [Bookplate for Robert Edward Lord Petre] This heraldic bookplate consists of an escutcheon, gules (red), with a simple bend, or (gold), charged with two escallop at dexter base and sinister chief. The escutcheon is charged with an inescutcheon at center, divided per cross. Quarter one is gules, with a simple bend, argent (silver), charged with six cross crosslet fitched. Quarter two is gules, charged with three lions. Quarter three is chequy, azure (blue) and argent. Quarter four is gules, charged with a lion rampant. Above the entire escutcheon is a coronet denoting the rank of baron, and supporting the escutcheon at dexter and sinister are two lions rampant reguardant. Beneath the escutcheon s a banner, with Latin motto within, and below motto the bookplate owner's name and title. Background of crest is azure. 49. [Bookplate for R. A. A. Jones] Black ink on white paper. The crest features an armoured arm extending straight out of a crest-wreath. The hand is clutching a spear with points on either end. Droplets are falling from the right spear point. The shield is black with a white chevron. The chevron has a thin white border along its top and bottom edges. The shield is charged with three white double-ended spears, the same style as that in the crest, two over one. The spears have a more elaborate top tip with a line down the middle, with the bottom tip being a simple, undecorated triangle shape. Below the shield, the motto is printed in black, capitalized, serif font. The ribbon has curling ends that split into two with rounds on each end. Underneath the motto, the bookplate owner’s name is printed in large, sentence case, black cursive font. 50. [Bookplate for Peter Courchesne] The small image on this bookplate is located to the right and is merely a small opened book with, what looks like, a antiquarian writing on it. 51. [Bookplate for Paul Hahn by J. M.] Black and blue ink on cream paper. The rectangular border consists of three black lines of decreasing thickness towards the center. In the top right corner is a small butterfly with outspread wings with some decoration. Below the butterfly is text in stylized, capitalized, black serif font. The bookplate owner’s name is printed below in slightly different stylized font in a larger size. Underneath the owner’s name is a larger butterfly with more elaborate outstretched wings. The text forms a single column in the left-hand side of the bookplate. To the right of the text is a bookshelf that appears to extend down to the bottom of the bookplate. Books are stacked in various ways on the shelf, spines facing out. In front of the bookshelf is a cello. The base of the cello sits in the bottom center of the bookplate and the neck extends up towards the top right-hand corner. At the top of the cello sits a butterfly, less elaborate than the others, that has been coloured in with blue ink. To the right of the cello is a tall object extending up along the bookshelf. A section of papers, potentially sheet music, in a folder in the bottom right corner. In the bottom left corner, the bookplate creator’s initials are printed in capitalized, black, serif font surrounded by a thin black border. 52. [Bookplate for Paul Gouin] Black ink on cream paper. Border consisting of two thin black lines with solid black squares in the corners. Capitalized black serif-font written inside the border around an image. Image depicts a wooden house with a road in front. There are several clouds in the sky. There is a large tree in front of the side of the house, with the branches of another tree in the top right corner. The house has a wooden fence. In the foreground in the bottom right corner is grass. 53. [Bookplate for P. Mackenzie] This simple heraldic bookplate consists of a cubit dexter arm clutching a downward-pointing arrow. Above the image is a banner with Latin motto within. 54. [Bookplate for P. Gagnon] Black ink on cream paper. Crest features a beaver lying on a crest-wreath. There are maple leaf branches extending from both sides of the beaver. The beaver is surrounded by a half-circle border with the motto in black, capitalized sans-serif font written across the arc. The shield is divided per fess, with the top half being further divided per pale and the upper left hand portion is divided into three horizontal sections. The topmost left hand section is argent with sable dots charged with two fleurs-de-lis. The middle left hand section is argent with sable stripes charged with a lion passant. The bottom left hand section is argent with sable dots charged with three maple leaves connected at the stem. The upper right hand side is argent charged with two pieces of equipment, one atop the other, and a pair of scissors below. The equipment has a small curved bottom with two long, curving handles on top with a spike pointing through the lower end of the handles. Below the top half is a thin black banner with white capitalized sans-serif text. Below the banner is an image of a natural forest and coastal landscape with a ship with two tall masts in the water. On the coast, there are people, possible colonizers, interacting. A large cross has been erected on the coast on the right hand side of the image. The dexter supporter and sinister supporter are moose standing a curling ribbon with text in capitalized black sans-serif font. 55. [Bookplate for Ödön Stern and J. E. Horvath by B. I.] Black ink on cream paper. This bookplate combines Art Deco and Egyptian style and imagery. The black ink provides the background with most of the objects delineated in white from the paper. A figure in profile to walks towards the right of the scene holding high three books in offering. Behind the figure there is a curtain with a weaved pattern. Further back on the right hand side there is a vase with flowers, and two urns. One sits on the floor. Fire rises from the second one on a stand. 56. [Bookplate for National Gallery of Canada Library by Alfred H. Howard] Burgundy ink on cream paper. Three young boys respectively engaged in painting, drawing and sculpting are enclosed by a large circle, at the center of which lies an open book. The entire bookplate is surrounded by a multi-layered border. The artist's remarque is in the lower right hand corner of the border. 57. [Bookplate for Morley Ayearst by Stanley Howard] Black ink on white paper. Bookplate design mimics a decorative medieval manuscript. An elaborate letter A is decorated with interlocking swirls and a Celtic knot pattern. Decorative features surround the letter and below it is stylized black font surrounded by black dots. There is also text in the same font above and to the right of the letter A. 58. [Bookplate for Maurie Barrett] Printed in black ink on beige paper, with a glued back. The image is a version of the crest of the Arms of Canada. It shows a crowned lion atop a larger crown, with mouth open and tongue extended. The lion stands firm with his rear right leg forward as if indicating an intent to pounce. This position, with all four paws on the ground and head turned to face the viewer, is known as statant guardant. The lion's tail is flamboyant and resembles the mantling often found on heraldic bookplates. 59. [Bookplate for Mary Cleghorn] This bookplate features a squirrel and leaf design motif, and artistically relies heavily on positive and negative space. Bookplate text is aligned top mid-right, and two block floral borders are places above and below the primary image. Artists' mark, possibly reading 'R.T.P.' is at bottom right. 60. [Bookplate for Mary Alice Peck] Black ink on grey paper. The top portion of the bookplate features a series of vines on which appear to be bell shaped flowers, beneath which lies the owner's name. select all : clear all : add to favorites results 41-60 of 152 item(s)  page 3 of 8 : ( <<  1  2  3  4  5  6  7  8  >> ) :: previous : next
	powered by CONTENTdm ® | contact us  ^ to top ^